Difference between revisions of "Gareth Barker"
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* [[Under Milk Wood (2004)|Under Milk Wood]] ([[2004]]) ([[Prompt Corner]]) | * [[Under Milk Wood (2004)|Under Milk Wood]] ([[2004]]) ([[Prompt Corner]]) | ||
* [[The Parting Glass (2008)|The Parting Glass]] ([[2008]]) ([[Prompt Corner]]) | * [[The Parting Glass (2008)|The Parting Glass]] ([[2008]]) ([[Prompt Corner]]) | ||
| − | * [[The Actor's Nightmare (2010)]] ([[Bell Theatre]]) | + | * [[The Actor's Nightmare (2010)|The Actor's Nightmare]] ([[2010]]) ([[Bell Theatre]]) |
== Set Construction == | == Set Construction == | ||
Revision as of 19:04, 16 March 2010
SLT Member 1989 - present
Contents
Productions as Lighting Designer & Operator
- The Comedy of Errors (1996) (Bell Theatre) Operating with Keefe Browning
- 'Dentity Crisis/Endgame (2008) (Bell Theatre)
Lighting on:
- The Taming of the Shrew (1994) (Bell Theatre)
- Talking Heads (1994) (Prompt Corner)
- Uncle Vanya (1995) (Bell Theatre)
Productions as Lighting Designer
- Oh Dad, Poor Dad, Mamma's Hung You in the Closet and I'm Feeling So Sad (1989) (Bell Theatre)
- Shakers (1990) (Bell Theatre)
- Kaleidoscope '90 (1990) (Bell Theatre)
- Happy Families (1991) (Bell Theatre)
- Clara's on the Curtains and A Life in the Theatre (1992) (Bell Theatre)
- Waiting for Godot (1992) (Bell Theatre)
- The Merry Wives of Windsor (1992) (Bell Theatre)
- Betrayal (1993) (Bell Theatre) with Brian Fretwell
- Lear's Daughters (1993) (Bell Theatre) with Keefe Browning
- Nasty Neighbours (1995) (Bell Theatre)
- A Midsummer Night's Dream (1997) (Bell Theatre)
- Shadowlands (1998) (Bell Theatre)
- Faith Healer (1998) (Bell Theatre)
- Chapter Two (1999) (Bell Theatre)
- Hard Times (2000) (Bell Theatre)
- Other People's Money (2001) (Bell Theatre)
- Lettice and Lovage (2002) (Bell Theatre)
- Death and the Maiden (2003) (Prompt Corner)
- Under Milk Wood (2004) (Prompt Corner)
- The Parting Glass (2008) (Prompt Corner)
- The Actor's Nightmare (2010) (Bell Theatre)
Set Construction
Reviews
- Gareth did the lighting design for Endgame in 2008, and created an amazing atmosphere and visual feast of greys, which truly enhanced the play.
Some years ago, he designed the lighting for Ron Sales' production of Waiting for Godot, both here and in Ireland, complete with a memorable moon, and effects skilfully adapted for a variety of venues.
In my opinion, Gareth is the most talented and creative lighting designer that we have, (among many other talented people), and should be treasured. Once seen, his designs are not forgotten. I'm looking forward to seeing his work on The Actor's Nightmare.<ref>http://www.southlondontheatre.co.uk/phpBB/viewtopic.php?mode=viewtopic&topic=10795&forum=2&start=30</ref>
- his lighting really works hard and enhances every scene.
It is the sixth actor on the stage
- Woweee- the lighting looks particularly stunning in The Actor's Nightmare
