Colin Stokes

SLTC Member 1968 - 1981, SLT audience member 2013

Lighting on:

• Everything in the Garden (1968) (Theatre)
• Arms and the Man (1968) (Theatre)
• Minor Murder (1969) (Theatre)
• Wait Until Dark (1969) (Theatre)
• The Seagull (1970) (Theatre)
• Lunch Hour and Black Comedy (1971) (Theatre)
• When We are Married (1972) (Main Stage)
• Boeing Boeing (1972) (Main Stage)
• Present Laughter (1972) (Main Stage)
• The Long and the Short and the Tall (1973) (Main Stage)
• Rain (1973) (Main Stage)
• Doctor Angelus (1973) (Main Stage)
• Music Hall (1974) (Main Stage)
• A Night to Make the Angels Weep (1974) (Main Stage)
• Camino Real (1974) (Main Stage)
• Blithe Spirit (1975) (Main Stage)
• The Promise (1975) (Main Stage)
• Ring Round the Moon (1976) (Main Stage) with Charles Wood
• A Night Out and Last to Go 1978 (Prompt Corner)with George Battrick
• Butley (1979) (Main Stage)
• Forty Years On (1980) (Main Stage)
• The Day After the Fair (1980) (Main Stage)
• The Playboy of the Western World (1981) (Bell Theatre)

Lighting Control/Operator on:

• Make Me an Offer (1973) (Main Stage) with Wendy Opie & Tony Rapson
• The Fantasticks (1976) (Prompt Corner) with Chris Hammond
• A View from the Bridge (1981) (Bell Theatre)

Productions as Lighting Designer and Operator

• The Patrick Pearse Motel (1975) (Main Stage)
• The Disorderly Women (1976) (Main Stage) Operator with Tony Rapson
• Gimme Shelter (1979) (Main Stage)

Productions as Lighting Designer

• The Marriage-Go-Round (1968) (Theatre)
• Mrs Warren's Profession (1974) (Main Stage)
• The Real Inspector Hound (1975) (Main Stage
• My Fat Friend (1976) (Main Stage)
• Play It Again, Sam (1979) (Main Stage)

External Links

• This member's Web Site.