Difference between revisions of "Hannah Gabrielle"
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SLT Member 2006 - Present | SLT Member 2006 - Present | ||
| − | + | Began working on costume in 2003, creating an ensemble of costumes for the interpretative production of Medea at St Mary's University College, University of Surrey. The play was a free verse interpretation of Euripides' 'Medea' taking its influences from a wide variety of styles including Keralan kathakali dance techniques, Pina Bausch and Robert Lepage. The costumes consisted of a hybrid between traditional Greek robes, Roman togas and Indian saris. They began as white canvasses with powdered paint being thrown across them, ending in a bright canvass of colours which conveyed movement. | |
| − | + | She returned to costuming in the July [[2007]] production of [[William Shakespeare|Shakespeare]]'s [[Julius Caesar (2007)|Julius Caesar]]. This ensemble devised piece stripped the traditional dress down to a contemporary minimal black, white and red canvas of colours. | |
| − | + | Costume should enhance the actor's ability to perform as opposed to elabourately concealing him/her. | |
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* [[Julius Caesar (2007)|Julius Caesar]] ([[2007]]) ([[Prompt Corner]]) | * [[Julius Caesar (2007)|Julius Caesar]] ([[2007]]) ([[Prompt Corner]]) | ||
* [[Aladdin (2007)|Aladdin]] ([[2007]]) ([[Bell Theatre]]) | * [[Aladdin (2007)|Aladdin]] ([[2007]]) ([[Bell Theatre]]) | ||
| + | * [[Bullshot Crummond (2008)|Bullshot Crummond]] 9[[2008]]) ([[Prompt Corner]]) | ||
== Interests == | == Interests == | ||
Revision as of 17:41, 11 August 2007
SLT Member 2006 - Present
Began working on costume in 2003, creating an ensemble of costumes for the interpretative production of Medea at St Mary's University College, University of Surrey. The play was a free verse interpretation of Euripides' 'Medea' taking its influences from a wide variety of styles including Keralan kathakali dance techniques, Pina Bausch and Robert Lepage. The costumes consisted of a hybrid between traditional Greek robes, Roman togas and Indian saris. They began as white canvasses with powdered paint being thrown across them, ending in a bright canvass of colours which conveyed movement.
She returned to costuming in the July 2007 production of Shakespeare's Julius Caesar. This ensemble devised piece stripped the traditional dress down to a contemporary minimal black, white and red canvas of colours.
Costume should enhance the actor's ability to perform as opposed to elabourately concealing him/her.
Productions as Costume Designer
- Julius Caesar (2007) (Prompt Corner)
- Aladdin (2007) (Bell Theatre)
- Bullshot Crummond 92008) (Prompt Corner)
