You're a Good Man Charlie Brown (2011)
by Clark Gesner
Directed by Lisa Thomas
Musical Director - Pete Coombs
Performances: Bell Theatre
Contents
Introduction
Based on the beloved Peanuts cartoon strip, You're a Good Man, Charlie Brown is based on an average day in the life of everyman, character Charlie Brown, consisting of small moments picked from a range of situations in his life, from Valentine's Day to the baseball season, from wild optimism to utter despair, all mixed in with the lives of his friends (both human and non-human) and strung together through the course of a single day, from bright uncertain morning to hopeful starlit evening.
Cast
- Charlie Brown - Matt Hudson
- Lucy van Pelt - Claire McEvoy
- Linus van Pelt - Adam Crook
- Sally Brown - Donna Marie Ward
- Schroeder - Stewart McGhee
- Snoopy - Charles Doyle
Band
- Piano and Keyboard - Pete Coombs
- Keyboards, Bass Guitar, Accordion - Daniel Kelly
- Saxaphone, Oboe, Recorder, Flute - Michelle Thomson
- Violin - Penny Langton
- Accoustic Bass - Ray Samuels
- Drums and Percussion - Elena Christie and Stephanie Urquhart
Crew
- Assistant Director - Stephanie Urquhart
- Director of Choreography - Brendan Murphy
- Stage Manager - Gavin Parker
- Assistant Stage Manager - Siobhan Campbell
- Lighting Designer - Jenny Harris
- Sound Effects - Adam Crook
- Lighting & Sound Operator - Kathryn Ramsay
- Scenic Artist - Hazel Hindle
- Set and Costumes - Cast & Crew
- Photos - Mark Davies
The cast and crew would like to thank the following people and organisations who have helped with this show: Sarah and Rob at The Hope and St Luke's Church for rehearsal space; Catherine Ellis for rehearsal time; David Ward, manager of the Croydon Pirates baseball team for baseball gear; Gary for Woodstock; Naomi Liddle for Snoopy's dog collar; Amy Smith for help with props and audience testing, bar and box office staff, Theatre Committee, cast and crew of 84 Charing Cross Road (2011) and Breathing Corpses (2011).
Reviews
Some review quotes go here
Gallery
Reminiscences and Anecdotes
Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.
See Also
References
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