Difference between revisions of "The Positive Hour (2006)"

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== Introduction ==
 +
Some scripts leap out at you as soon as you pick them up and demand to be put on stage. Exactly as with Loveplay last year, I was immediately drawn to The Positive Hour by its directness, spiky issues and crackling wit. There are certainly themes in common with April de Angelis' slightly earlier Playhouse Creatures (recently seen in Prompt Corner, December 2005). We are again concerned with a close-knit group of women trying to survive, to find their own place in a pretty unwelcoming world and to form relationships with men.
  
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However this play is far from being a period piece. It was first performed in 1997 and it is very much set in today's world, with all of the characters facing very contemporary dilemmas and traps. Two of the main characters - Miranda and Emma - were students in the 70s and they grew up in a world which was to some extent more idealistic and less determined by all-pervading capitalist forces and corporations than today. Where they now stand with regard to issues of morality, self-protection and self-expression are questions which are central to the play. The script keeps asking whether the driving enthusiasms of their youth - feminism, socialism, truthful artistic communication - continue to have any validity at all in today's world. But if this is starting to sound as if it might be a bit over serious and worthy, please don't be put off. This is very much a laugh-out-loud funny and earthy piece, just as Loveplay was a rude and comic exploration of some pretty dark and important issues last year.
  
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Director's Notes <ref>Director's Notes: [http://www.southlondontheatre.co.uk/productions/2006/positivehour/ SLT Website]</ref>
  
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== Cast ==
 +
*Miranda - [[Emma Hillman]]
 +
*Emma - [[Fiona Daffern]]
 +
*Paula - [[Jane Lobb]]
 +
*Nicola - [[Georgina Wedderburn]]
 +
*Roger - [[Alan Brown]]
 +
*The Man - [[Brian Andrews]]
 +
*Victoria - Anna Van Miert
  
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== Crew ==
  
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*Production Assistant - [[Ronae Jolliffe]]
 +
*Stage Manager - [[Mark Ireson]]
 +
*Assistant Stage Managers - [[Kat Moody]] and [[Constantine Siriopoulous]]
 +
*Set Design - [[Dave Hollander]] and [[Constatine Siripoulos]]
 +
*Costume Co-Ordinator - [[Michelle Thomson]]
 +
*Lighting - [[Chris Liddle]]
 +
*Sound Design - [[Andrew Rickinson]]
 +
*Sound Operator - [[Helen Victoria Jones]]
 +
*Production Photographs - [[Phil Gammon]]
 +
*Portrait Painted By - [[Hazel Hindle]]
  
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== Reviews ==
  
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Some review quotes go here
 +
lol
  
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== Gallery ==
 +
 
 +
 
 +
 
 +
== Reminiscences and Anecdotes ==
 +
 
 +
Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.
 +
 
 +
There is NOTHING about this play, and there is nothing we can use to find a plot/synopsis. If anyone finds anything, please post it here.....Our A Levels depend on it......
 +
 
 +
Yeah.
 +
 
 +
== See Also ==
 +
Have there been other SLT productions of this play?  Link to them here.
 +
 
 +
Or add anything that is related ''within this site''.  The author's page for instance or other plays with a similar theme.
 +
 
 +
== References ==
 +
<references/>
 +
 
 +
== External Links ==
 +
 
 +
[[Category:Productions|Positive Hour, The]]
 +
[[Category:Prompt Corner Productions|Positive Hour, The]]

Revision as of 19:09, 17 February 2010

Poster by Steve Marchant

by April De Angelis

Directed by David Lomas

Performances: Wed 19th – Sat 22nd July 2006, Prompt Corner


Introduction

Some scripts leap out at you as soon as you pick them up and demand to be put on stage. Exactly as with Loveplay last year, I was immediately drawn to The Positive Hour by its directness, spiky issues and crackling wit. There are certainly themes in common with April de Angelis' slightly earlier Playhouse Creatures (recently seen in Prompt Corner, December 2005). We are again concerned with a close-knit group of women trying to survive, to find their own place in a pretty unwelcoming world and to form relationships with men.

However this play is far from being a period piece. It was first performed in 1997 and it is very much set in today's world, with all of the characters facing very contemporary dilemmas and traps. Two of the main characters - Miranda and Emma - were students in the 70s and they grew up in a world which was to some extent more idealistic and less determined by all-pervading capitalist forces and corporations than today. Where they now stand with regard to issues of morality, self-protection and self-expression are questions which are central to the play. The script keeps asking whether the driving enthusiasms of their youth - feminism, socialism, truthful artistic communication - continue to have any validity at all in today's world. But if this is starting to sound as if it might be a bit over serious and worthy, please don't be put off. This is very much a laugh-out-loud funny and earthy piece, just as Loveplay was a rude and comic exploration of some pretty dark and important issues last year.

Director's Notes <ref>Director's Notes: SLT Website</ref>

Cast

Crew

Reviews

Some review quotes go here lol

Gallery

Reminiscences and Anecdotes

Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.

There is NOTHING about this play, and there is nothing we can use to find a plot/synopsis. If anyone finds anything, please post it here.....Our A Levels depend on it......

Yeah.

See Also

Have there been other SLT productions of this play? Link to them here.

Or add anything that is related within this site. The author's page for instance or other plays with a similar theme.

References

<references/>

External Links

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