Difference between revisions of "The Merchant of Venice (2011)"
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Setting [[The Merchant of Venice (2011)]] in Nazi occupied Italy gave the perfect setting to Shakespeare's tragi-comedy. The parallels between Elizabethan England, where it was illegal to practice Judaism and mid-war Italy where the horrors of the Holocaust were beginning to emerge are unique and poignant. The love story of Bassanio and Antonio fitted into this mix perfectly. | Setting [[The Merchant of Venice (2011)]] in Nazi occupied Italy gave the perfect setting to Shakespeare's tragi-comedy. The parallels between Elizabethan England, where it was illegal to practice Judaism and mid-war Italy where the horrors of the Holocaust were beginning to emerge are unique and poignant. The love story of Bassanio and Antonio fitted into this mix perfectly. | ||
| − | It's been a privilege working with such a talented and dedicated mix of actors and crew. And working with the RSC has been fantastic. It's been a powerful and moving experience for all of us. | + | It's been a privilege working with such a talented and dedicated mix of actors and crew. And working <span class="plainlinks">[http://www.cashhhh.com <span style="color:black;font-weight:normal;text-decoration:none!important;background:none!important; text-decoration:none;">online payday loans</span>]</span> with the RSC has been fantastic. It's been a powerful and moving experience for all of us. |
== Cast == | == Cast == | ||
| Line 41: | Line 41: | ||
* Nazi Official/Old Tubal - [[James Hough]] | * Nazi Official/Old Tubal - [[James Hough]] | ||
| − | Children of the Ghetto, servants and maids: Raffaella Patmore, Nina Glover, Grace Quigley, Katie Patrick, Katie Balme, Leah Girma | + | Children of the Ghetto, servants and maids: [[Raffaella Patmore]], Nina Glover, Grace Quigley, [[Katie Patrick]], Katie Balme, Leah Girma |
== Crew == | == Crew == | ||
| Line 47: | Line 47: | ||
* Assistant Director - [[Lee Ridgeway]] | * Assistant Director - [[Lee Ridgeway]] | ||
* PA to the directors - [[Raffaella Patmore]] | * PA to the directors - [[Raffaella Patmore]] | ||
| − | * | + | * Stage Manager - [[Mark Ireson]] |
| − | * Sound Designer | + | * Sound Designer & Musical Director - [[Gerard Johnson]] |
| − | * | + | * Costume Designer - [[Lisa Thomas]] |
| − | * [[ | + | * Choreographer - [[Brendan Murphy]] |
| − | * | + | * Lighting Designer - [[Gavin Parker]] |
| − | * | + | * Set Design - [[Stuart Draper]] & [[Hazel Hindle]] |
| − | * [[Assistant Stage Manager]] - [[Graham Clements]] | + | * Lighting & Sound Operator - [[Daniel Goldsmith]] |
| + | * Assistant Sound/Lighting Engineer - [[Philip Maytom]] | ||
| + | * Assistant Stage Manager - [[Graham Clements]] | ||
| + | * Properties - [[Alan Buckman]] | ||
| + | * Set Construction - [[Mark Ireson]], [[Graham Clements]], [[Wesley Stewart]], [[Kerry Perkins]], [[Steve Ridgeway]], [[Lee Ridgeway]], [[Siobhan Campbell]] | ||
| + | * Photography - [[Phil Gammon]] | ||
| + | |||
| + | |||
| + | With thanks to: [[Val Williams]], [[Jeanette Hoile]], Ian Wainwright for the RSC, [[Mark Bullock]], the cast and crew of [[Breathing Corpses (2011)|Breathing Corpses]], the staff at The Hope and everybody who has contributed time and energy to this show. | ||
| + | |||
| + | The production is dedicated to the loving memory of [[Maggie Checkley]], a good friend who gave those without a voice a song of their own to sing. The children miss you. | ||
== Reviews == | == Reviews == | ||
Some review quotes go here | Some review quotes go here | ||
| − | |||
== Gallery == | == Gallery == | ||
| − | + | *[http://www.photos.sltarchive.co.uk/merchant_of_venice Show Photos] | |
| − | + | ||
== Reminiscences and Anecdotes == | == Reminiscences and Anecdotes == | ||
| Line 72: | Line 80: | ||
Or add anything that is related ''within this site''. The author's page for instance or other plays with a similar theme. | Or add anything that is related ''within this site''. The author's page for instance or other plays with a similar theme. | ||
| + | |||
| + | * [[The Merchant of Venice (1982)]] | ||
| + | * [[The Merchant of Venice (1999)]] | ||
== References == | == References == | ||
| Line 80: | Line 91: | ||
*'''[http://www.someplace.com/thisplay This play on the web] | *'''[http://www.someplace.com/thisplay This play on the web] | ||
| − | [[Category:Productions]] | + | [[Category:Productions|Merchant of Venice (2011), The]] |
| − | [[Category:Bell Theatre Productions]] | + | [[Category:Bell Theatre Productions|Merchant of Venice (2011), The]] |
| − | [[Category:Gala Productions]] | + | [[Category:Gala Productions|Merchant of Venice (2011), The]] |
Latest revision as of 15:57, 23 December 2019
Performances: Tuesday 4 to Saturday 8 October 2011, Bell Theatre
Contents
Introduction
The world is at war. The Nazis have just entered Venice. The Ghetto is awash with rumour; entire families have disappeared overnight, shops are being closed down and it would appear that being a Jew is a dangerous business.
Seen through the eyes of Shealtiel, a young Jewish boy, the events of the play take place in the summer of 1943. As Bassanio attempts to pull off a deal that will enable him to flee Venice and the Nazis, Antonio puts up his body as surety to raise the capital, becoming indebted to his old enemy, Shylock. When Antonio's ships are torpedoed and he cannot repay the loan, Shylock calls on the merchant to give his pound of flesh...
The idea for the play first came to me 8 years ago, seeing Ute Lemper in concert. Her performance of The Lavender Song (Das Lila Lied, a cabaret song written in 1920 with lyrics by Kurt Schwabachand music by Mischa Spoliansky) brought the house to its feet. Whenshe explained that originally the lyric 'queer and different' would have encompassed not just gay men and lesbians, but other racial and social groups endangered by the rise of the far right, it set my mind ticking. Merchant was born. In this production the song is sung by a gay man, a lesbian, a Sinti Gypsy and a Jewish boy.
Setting The Merchant of Venice (2011) in Nazi occupied Italy gave the perfect setting to Shakespeare's tragi-comedy. The parallels between Elizabethan England, where it was illegal to practice Judaism and mid-war Italy where the horrors of the Holocaust were beginning to emerge are unique and poignant. The love story of Bassanio and Antonio fitted into this mix perfectly.
It's been a privilege working with such a talented and dedicated mix of actors and crew. And working online payday loans with the RSC has been fantastic. It's been a powerful and moving experience for all of us.
Cast
- Antonio - Rob Hall
- Bassanio - Keiran Lowers
- Gratiano - Daniel Paul
- Portia - Sally Campion-Jones
- Nerissa - Ellen Hunter
- Shylock - Alan Brown
- The Prince of Arragon - Patrick Holt
- The Prince of Morocco - Wasim Juned
- Duke of Venice/Sea Captain - Philip Gill
- Salanio -- Annie Hayes
- Salarino - Siobhan Campbell
- Lorenzo - David Clements
- Jessica - Stephanie Urquhart
- Lancelot Gobbo - Erik Smith
- Old Gobbo - John Lyne
- Shealtiel - Jake Passmore
- Balthasar ("Mrs B") - Caroline Durant
- Nazi Official/Old Tubal - James Hough
Children of the Ghetto, servants and maids: Raffaella Patmore, Nina Glover, Grace Quigley, Katie Patrick, Katie Balme, Leah Girma
Crew
- Assistant Director - Lee Ridgeway
- PA to the directors - Raffaella Patmore
- Stage Manager - Mark Ireson
- Sound Designer & Musical Director - Gerard Johnson
- Costume Designer - Lisa Thomas
- Choreographer - Brendan Murphy
- Lighting Designer - Gavin Parker
- Set Design - Stuart Draper & Hazel Hindle
- Lighting & Sound Operator - Daniel Goldsmith
- Assistant Sound/Lighting Engineer - Philip Maytom
- Assistant Stage Manager - Graham Clements
- Properties - Alan Buckman
- Set Construction - Mark Ireson, Graham Clements, Wesley Stewart, Kerry Perkins, Steve Ridgeway, Lee Ridgeway, Siobhan Campbell
- Photography - Phil Gammon
With thanks to: Val Williams, Jeanette Hoile, Ian Wainwright for the RSC, Mark Bullock, the cast and crew of Breathing Corpses, the staff at The Hope and everybody who has contributed time and energy to this show.
The production is dedicated to the loving memory of Maggie Checkley, a good friend who gave those without a voice a song of their own to sing. The children miss you.
Reviews
Some review quotes go here
Gallery
Reminiscences and Anecdotes
Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.
See Also
Have there been other SLT productions of this play? Link to them here.
Or add anything that is related within this site. The author's page for instance or other plays with a similar theme.
References
<references/>
