Difference between revisions of "Charley's Aunt (1986)"
(→Reminiscences and Anecdotes) |
|||
| (12 intermediate revisions by 4 users not shown) | |||
| Line 10: | Line 10: | ||
== Introduction == | == Introduction == | ||
| − | + | Commemoration Week, Oxford 1895. | |
| + | |||
| + | Act I - Jack Chesney's rooms in college (morning) | ||
| + | |||
| + | Act II - Outside Jack Chesney's rooms (afternoon) | ||
| + | |||
| + | Act III - Drawing room at Spettigue's house (evening) | ||
| + | |||
| + | This production was sponsored by Freeman's Mail Order. | ||
== Cast == | == Cast == | ||
| Line 23: | Line 31: | ||
*Donnna Lucia d'Alvadorez - [[Ruth Lidyard|Ruth Shettle]] | *Donnna Lucia d'Alvadorez - [[Ruth Lidyard|Ruth Shettle]] | ||
*Amy Spettigue - [[Josephine Hussey]] | *Amy Spettigue - [[Josephine Hussey]] | ||
| + | *Kitty Verdun - [[Sylvia Keeler]] | ||
*Ela Delahay - [[Penny Cox]] | *Ela Delahay - [[Penny Cox]] | ||
| Line 32: | Line 41: | ||
*Lighting - [[Brian Fretwell]] | *Lighting - [[Brian Fretwell]] | ||
*Sound - [[Alf Vaal]] | *Sound - [[Alf Vaal]] | ||
| − | *Set Construction - [[ | + | *Set Construction - [[Bernie Bullbrook]] with [[Simon Hodges]], [[Nigel Howcutt]], [[David Lamkin]], [[Robin Lill]] & [[Steve Nash]] |
*Scenic Painting - [[Jill Clark]] | *Scenic Painting - [[Jill Clark]] | ||
*Prompt - [[Su Hands]]/[[Vanessa Iggulden]] | *Prompt - [[Su Hands]]/[[Vanessa Iggulden]] | ||
| Line 42: | Line 51: | ||
== Gallery == | == Gallery == | ||
| + | <gallery caption="Photos by [[Brian Fretwell]]" widths="300px" heights="300px" perrow="5"> | ||
| + | Image:Charl001.jpg| | ||
| + | Image:Charl002.jpg| | ||
| + | Image:Charl003.jpg| | ||
| + | Image:Charl004.jpg| | ||
| + | Image:Charl005.jpg| | ||
| + | Image:Charl006.jpg| | ||
| + | Image:Charl007.jpg| | ||
| + | Image:Charl008.jpg| | ||
| + | Image:Charl009.jpg| | ||
| + | Image:Charl010.jpg| | ||
| + | Image:Charl011.jpg| | ||
| + | Image:Charl012.jpg| | ||
| + | </gallery> | ||
| + | == Reminiscences and Anecdotes == | ||
| − | + | The Stage Manager has two names credited, as Sonia's is in the programme; but I do remember Anji taking over at short notice. | |
Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted. | Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted. | ||
| Line 63: | Line 87: | ||
[[Category:Productions]] | [[Category:Productions]] | ||
[[Category:Bell Theatre Productions]] | [[Category:Bell Theatre Productions]] | ||
| + | [[Category:Gala Productions]] | ||
Latest revision as of 13:36, 4 May 2012
Directed by Alan Buckman with Leslie Lidyard
Performances: Sun 7th - Sat 13th December (Gala Night Friday 12th) 1986, Bell Theatre
Contents
Introduction
Commemoration Week, Oxford 1895.
Act I - Jack Chesney's rooms in college (morning)
Act II - Outside Jack Chesney's rooms (afternoon)
Act III - Drawing room at Spettigue's house (evening)
This production was sponsored by Freeman's Mail Order.
Cast
- Colonel, Sir Francis Chesney, Bart - Leslie Lidyard
- Stephen Spettigue - John Lyne
- Jack Chesney - David Wright
- Charles Wickham - Matthew Lyne
- Lord Fancourt Babberley - Alan Buckman
- Brasset - Ken Lucas
- Donnna Lucia d'Alvadorez - Ruth Shettle
- Amy Spettigue - Josephine Hussey
- Kitty Verdun - Sylvia Keeler
- Ela Delahay - Penny Cox
Crew
- Stage Manager - Sonia Burke or Anji Gibson
- Deputy Stage Manager - Kate Nash
- Assistant Stage Managers - John Kidd, Bobby Kopstick, David Lamkin, Robin Lill & Steve Nash
- Lighting - Brian Fretwell
- Sound - Alf Vaal
- Set Construction - Bernie Bullbrook with Simon Hodges, Nigel Howcutt, David Lamkin, Robin Lill & Steve Nash
- Scenic Painting - Jill Clark
- Prompt - Su Hands/Vanessa Iggulden
Reviews
Some review quotes go here
Gallery
- Photos by Brian Fretwell
Reminiscences and Anecdotes
The Stage Manager has two names credited, as Sonia's is in the programme; but I do remember Anji taking over at short notice.
Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.
See Also
Have there been other SLTC/SLT productions of this play? Link to them here.
Or add anything that is related within this site. The author's page for instance or other plays with a similar theme.
References
<references/>
