Difference between revisions of "The Marriage-Go-Round (2003)"
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*Lighting Design - [[Will Howard]] | *Lighting Design - [[Will Howard]] | ||
*Lighting Operator - [[Emma Connolly]] | *Lighting Operator - [[Emma Connolly]] | ||
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*Sound Operator - [[Bob Callender]] | *Sound Operator - [[Bob Callender]] | ||
*Set Design - [[Alan Buckman]] | *Set Design - [[Alan Buckman]] | ||
Revision as of 13:45, 20 August 2009
Directed by Emma Howcutt
Performances: Tue 4th – Sat 8th March 2003, Bell Theatre
Contents
Introduction
The Marriage-Go-Round is a comedic look at the lives of Paul Delville, Professor of Cultural Anthropology, and his wife Content, Women’s Principal. They are a secure and happily married couple everything is normal. If it stayed like that there wouldn’t be much of a play, so let’s introduce the young Swedish houseguest, Katrin Sveg, whose arrival drives Paul and Content to question everything about their marriage. As Paul struggles with his emotions, slowly bending under Katrin’s pressure, we see Content discussing the language of love with Language Professor Ross Barnett, her close friend and trusted advisor. The action is accompanied by lectures Paul and Content give on monogamy to their students.
Cast
- Paul Delville - Alan Jarvis
- Content Delville - Jenny Gammon
- Katrin Sveg - Abi Spooner
- Ross Barnett - Christopher Vian-Smith
Crew
- P.A./Prompt - Mark Davies
- Stage Manager - Peter Fortune
- Lighting Design - Will Howard
- Lighting Operator - Emma Connolly
- Sound Design Bob Callender & Christopher Vian-Smith
- Sound Operator - Bob Callender
- Set Design - Alan Buckman
- Set Construction - Alan Buckman, Dave Brown, Bob Callender, Matthew Lyne, [Matt Bartlett]], Mark Davies & Emma Howcutt
- Props - Alan Buckman & Barbara Howcutt
- Costumes - Jenny Gammon, Ingrid Palm, Anna York & Elinor Morgan-Jones
Reviews
Some review quotes go here
Gallery
Clockwise from left: Emma Connolly, Christopher Vian-Smith, Jenny Gammon, Alan Jarvis, Emma Howcutt, Peter Fortune, Abi Spooner and Bob Callender.
(Photo: Mark Davies)
Reminiscences and Anecdotes
Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.
