Difference between revisions of "Shadows of the Evening (1989)"
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[[Image:CHANGETHISNAME.jpg|thumb|300px|Poster by [[Poster Designer]]]] | [[Image:CHANGETHISNAME.jpg|thumb|300px|Poster by [[Poster Designer]]]] | ||
| − | by [[ | + | by [[Noël Coward]] |
Directed by [[Malcolm Woodman|W. Malcolm Woodman]] | Directed by [[Malcolm Woodman|W. Malcolm Woodman]] | ||
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== Introduction == | == Introduction == | ||
| − | The action takes place in a private suite in the | + | Presented in a Triple Bill with [[Come into the Garden Maud (1989)]] and [[Ways and Means (1989)]] |
| + | |||
| + | The action takes place in a private suite in the Hotel Beau Rivage, Lausanne, Switzerland. | ||
== Cast == | == Cast == | ||
| Line 23: | Line 25: | ||
*Designer - [[Alan Buckman]] | *Designer - [[Alan Buckman]] | ||
| + | *Production Assistant - [[Betty Gibson]] | ||
*Stage Manager - [[June McAuliffe]] | *Stage Manager - [[June McAuliffe]] | ||
*Assistant Stage Manager - [[John Kidd]] | *Assistant Stage Manager - [[John Kidd]] | ||
| Line 36: | Line 39: | ||
== Reviews == | == Reviews == | ||
| − | + | 'Evening with the Master becomes a lengthy affair.' | |
| + | 'Not long ago, I saw Noel Coward's Come Into the Garden Maud and Ways and Means presented as a double bill, and the length of the evening seemed just about right in relation to the dramatic weight of the plays. | ||
| + | 'This week, SLTC has gone one better - or should I say one worse? - in adding a third componenet, and along-winded one at that, to the same duo. | ||
| + | 'Coward x Three commences with [[Shadows of the Evening (1989)|Shadows of the Evening]], and they are already lenghtening fast by the first interval. | ||
| + | 'George Hilgay's wife and mistress, old antagonists, form an uneasy truce to see him through the last few months his doctor has given him to live. | ||
| + | 'The piece is decently presented with becoming dignity in [[John Anderson]]'s performance as the doomed George, and some bitchy exchanges between [[Su Hands]] as his wife and [[Karen McCloud]] as the woman who has supplanted her. | ||
| + | 'But the dialogue is slow, ponderous and , by comparison with Coward's best, curiously stiff and formal. | ||
| + | '[[Come into the Garden Maud (1989)|Come Into the Garden Maud]] finds its characters in the same Swiss hotel, with [[Stephen Fisher]] playing the same obsequious waiter, Felix. | ||
| + | '[[Pip Piacentino]] plays a rich American, mercilessly put down by his snobbish wife, played by [[Ruth Shettle]] with a due relish for her ghastliness. | ||
| + | 'It is both amusing and satisfying to see her get her come-uppance, as he falls for and makes off with a Bohemian princess, Maud Caragnani, the more so as the lady, in the performance of [[Vanessa Venables]], has such a delightfully sunny personality. | ||
| + | '[[Ways and Means (1989)|Ways and Means]] concerns a hard-up gambling couple desperately grappling with their problems on the Cote d'Azur. | ||
| + | '[[Gill Higgins]] and [[Mike Mungarvan]] bicker in the true Coward mode, until deliverance arrives in the unlikely shape of a chauffeur-turned burglar, played by the ubiquitous [[Stephen Fisher]]. | ||
| + | 'There are useful cameos by [[Leslie Lidyard]] as the manservant, and [[Lucy Walker]] as the owner of the house. | ||
| + | 'All three plays are directed by [[W. Malcom Woodman]], and the stylish settings are designed by [[Alan Buckman]].... | ||
| + | by [[Donald Madgwick]] Croydon Advertiser 11/08/1989 | ||
== Gallery == | == Gallery == | ||
Latest revision as of 13:38, 30 April 2014
by Noël Coward
Directed by W. Malcolm Woodman
Performances: Sun 6th – Sat 12th August 1989, Bell Theatre
Contents
Introduction
Presented in a Triple Bill with Come into the Garden Maud (1989) and Ways and Means (1989)
The action takes place in a private suite in the Hotel Beau Rivage, Lausanne, Switzerland.
Cast
- Linda Savignac - Karen McCloud
- Anne Hilgay - Su Hands
- George Hilgay - John Anderson
- Felix - Stephen Fisher
Crew
- Designer - Alan Buckman
- Production Assistant - Betty Gibson
- Stage Manager - June McAuliffe
- Assistant Stage Manager - John Kidd
- Lighting Design - Richard Wood
- Lighting Operator - Godfrey Jansen
- Sound - Marshall Penn
- Set Construction - Keefe Browning, June McAuliffe & Richard Stagg
- Prompt - Helen Morris
- Thanks to - Keith Borgust, Keefe Browning & Bernie Bullbrook
- Furniture and Carpet - Peter Lambert
- Champagne - Moet & Chandon
Reviews
'Evening with the Master becomes a lengthy affair.' 'Not long ago, I saw Noel Coward's Come Into the Garden Maud and Ways and Means presented as a double bill, and the length of the evening seemed just about right in relation to the dramatic weight of the plays. 'This week, SLTC has gone one better - or should I say one worse? - in adding a third componenet, and along-winded one at that, to the same duo. 'Coward x Three commences with Shadows of the Evening, and they are already lenghtening fast by the first interval. 'George Hilgay's wife and mistress, old antagonists, form an uneasy truce to see him through the last few months his doctor has given him to live. 'The piece is decently presented with becoming dignity in John Anderson's performance as the doomed George, and some bitchy exchanges between Su Hands as his wife and Karen McCloud as the woman who has supplanted her. 'But the dialogue is slow, ponderous and , by comparison with Coward's best, curiously stiff and formal. 'Come Into the Garden Maud finds its characters in the same Swiss hotel, with Stephen Fisher playing the same obsequious waiter, Felix. 'Pip Piacentino plays a rich American, mercilessly put down by his snobbish wife, played by Ruth Shettle with a due relish for her ghastliness. 'It is both amusing and satisfying to see her get her come-uppance, as he falls for and makes off with a Bohemian princess, Maud Caragnani, the more so as the lady, in the performance of Vanessa Venables, has such a delightfully sunny personality. 'Ways and Means concerns a hard-up gambling couple desperately grappling with their problems on the Cote d'Azur. 'Gill Higgins and Mike Mungarvan bicker in the true Coward mode, until deliverance arrives in the unlikely shape of a chauffeur-turned burglar, played by the ubiquitous Stephen Fisher. 'There are useful cameos by Leslie Lidyard as the manservant, and Lucy Walker as the owner of the house. 'All three plays are directed by W. Malcom Woodman, and the stylish settings are designed by Alan Buckman....
by Donald Madgwick Croydon Advertiser 11/08/1989
Gallery
Reminiscences and Anecdotes
Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.
See Also
Have there been other SLT productions of this play? Link to them here.
Or add anything that is related within this site. The author's page for instance or other plays with a similar theme.
References
<references/>
