Difference between revisions of "Moonlight and Magnolias (2010)"
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'''Victor Fleming''' | '''Victor Fleming''' | ||
| − | Started his working life as a motor mechanic, but got a break in the film business as a camera assistant, moving on to direct many action movies in the 1920s and 30s. With a robust manner and love of outdoor sports Fleming was known as a “man’s director”, but his two best known and most successful directing credits were The Wizard Of Oz and Gone With The Wind. Coincidentally, in both cases he was a substitute, brought in to replace the original director in the early weeks of shooting. | + | Started his working life as a motor mechanic, but got a break in the film business as a camera assistant, moving on to direct many action movies in the 1920s and 30s. With a robust manner and love of outdoor sports Fleming was known as a “man’s director”, but his two best known and most successful directing credits were ''The Wizard Of Oz'' and ''Gone With The Wind''. Coincidentally, in both cases he was a substitute, brought in to replace the original director in the early weeks of shooting. |
'''Ben Hecht''' | '''Ben Hecht''' | ||
| − | A successful Chicago journalist, Hecht became one of the most celebrated and prolific screenwriters in the early days of film in Hollywood, as well as contributing uncredited work as a “script doctor” on many more [including Gone With The Wind]. As well as journalism and screenplays he wrote short stories, novels, plays [including The Front Page] and later ghost wrote Marilyn Monroe’s autobiography. A lifelong activist for Jewish causes, his active support of the Zionist movement in Palestine led to a British boycott of his work in the late 1940s and 1950s. | + | A successful Chicago journalist, Hecht became one of the most celebrated and prolific screenwriters in the early days of film in Hollywood, as well as contributing uncredited work as a “script doctor” on many more [including ''Gone With The Wind'']. As well as journalism and screenplays he wrote short stories, novels, plays [including ''The Front Page''] and later ghost wrote Marilyn Monroe’s autobiography. A lifelong activist for Jewish causes, his active support of the Zionist movement in Palestine led to a British boycott of his work in the late 1940s and 1950s. |
'''Miss Poppenguhl''' | '''Miss Poppenguhl''' | ||
Revision as of 23:54, 11 April 2010
Directed by Mark Ireson
Performances: Tue 7th – Sat 11th September 2010, Bell Theatre
Contents
Introduction
Hollywood, 1939, and mogul David O. Selznick has just shut down production on the most eagerly anticipated movie in history, Gone With The Wind, scrapping the script and sacking the director for good measure. Determined to produce a rewrite in five days, he engages the reluctant services of ace script doctor Ben Hecht - possibly the only person in America who has not read the novel - and the movie’s new director Victor Fleming, straight from the set of The Wizard Of Oz after squabbling with the Munchkins and coming to blows with Judy Garland.
With his reputation on the line, and nothing but peanuts and bananas to sustain them, Selznick locks the three collaborators in his office, and a marathon creative session begins…
Cast
Crew
- Stage Manager - Graham Clements
- Production Assistant - Paula Kelly
- Lighting Design - Designer Name
- Lighting Operator - Operator Name
- Sound Design - James Webb
- Sound Operator - Operator Name
- Fight Direction - Anton Krause
The characters
David O Selznick Fanatically driven producer, son in law of the producer Louis B Mayer, the movies were in his blood. The son of a movie distributor who became bankrupt in the 1920s, Selznick rose to the top of the Hollywood tree working at RKO, Paramount and MGM before starting his own Selznick International Pictures. He was notorious for his frantic, benzedrine-fueled pace of work and the astonishing volume of memos he produced on every aspect of the productions (seen by some as meddling and by others as attention to detail).
Victor Fleming Started his working life as a motor mechanic, but got a break in the film business as a camera assistant, moving on to direct many action movies in the 1920s and 30s. With a robust manner and love of outdoor sports Fleming was known as a “man’s director”, but his two best known and most successful directing credits were The Wizard Of Oz and Gone With The Wind. Coincidentally, in both cases he was a substitute, brought in to replace the original director in the early weeks of shooting.
Ben Hecht A successful Chicago journalist, Hecht became one of the most celebrated and prolific screenwriters in the early days of film in Hollywood, as well as contributing uncredited work as a “script doctor” on many more [including Gone With The Wind]. As well as journalism and screenplays he wrote short stories, novels, plays [including The Front Page] and later ghost wrote Marilyn Monroe’s autobiography. A lifelong activist for Jewish causes, his active support of the Zionist movement in Palestine led to a British boycott of his work in the late 1940s and 1950s.
Miss Poppenguhl Selznick’s exceptionally efficient secretary. Usually tireless, by the end of the five days even she is more than a little dazed. In reality, Selznick employed two secretaries on a full time basis to keep up with the frantic pace of dictation of his memos.
Reviews
Some review quotes go here
Gallery
Reminiscences and Anecdotes
Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.
See Also
Have there been other SLT productions of this play? Link to them here.
Or add anything that is related within this site. The author's page for instance or other plays with a similar theme.
References
<references/>
External Links
- Victor Fleming on Wikipedia
- Ben Hecht on Wikipedia
- David O Selznick on Wikipedia
- Gone With The Wind on Wikipedia and IMDB, the internet movie database
