Difference between revisions of "Love's Labour's Lost (2017)"
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| − | [[Image: | + | [[Image:Loves-Labours-Lost-Poster.jpg|thumb|300px|Poster by [[Bryon Fear]]]] |
by [[William Shakespeare]] | by [[William Shakespeare]] | ||
| − | [[ | + | Directors - [[Siobhan Campbell]] & [[Dave Hollander]] |
| − | Performances: | + | Performances: Tue 27th June – Sat 1st July [[2017]], [[Main Hall, Stanley Halls]] |
| + | * Matinee at 2pm on 1st July | ||
== Introduction == | == Introduction == | ||
| − | + | The play is set in London during World War II; sheltering from the Blitz above, in a makeshift air-raid shelter in the basement of the Stanley Grand Hotel, 1942. | |
== Cast == | == Cast == | ||
| − | * | + | *The Maitre D' - [[Owen Chidlaw]] |
| − | * | + | *Stage Manager - [[Louis Chapman]] |
| − | * | + | *Air Raid Warden - [[Jackie Burch]] |
| + | *King of Navarre - [[David Blatcher]] | ||
| + | *Berowne - [[Alastair Norgate]] | ||
| + | *Longaville - [[Mat Hill]] | ||
| + | *Dumaine - [[Chaz Doyle]] | ||
| + | *Princess of France - [[Deborah Dubosq]] | ||
| + | *Rosaline - [[Anna Rubincam]] | ||
| + | *Maria - [[Rachel Forster]] | ||
| + | *Katherine - [[Kelly Cranstoun|Kelly-Kim Cranstoun]] | ||
| + | *Boyet - [[Bryon Fear]] | ||
| + | *Marcade / Constable Dull - [[Mike Smart]] | ||
| + | *Armado - [[Jenny McLaughlin]] | ||
| + | *Moth - [[Purmina Rai]] / [[Rora Hacker]] | ||
| + | *Holofernes - [[Alex Watts]] | ||
| + | *Nathaniel - [[Kim Goldsmith]] | ||
| + | *Costard - [[Tom Mathias]] | ||
| + | *Jaquenetta - [[David Clements]] | ||
| + | *Hiems / Member of the company - [[Jeremy Husain]] | ||
| + | *Ver - [[Bessie Rafferty]] / [[Rory Gibson]] | ||
== Crew == | == Crew == | ||
| − | *[[ | + | *Assistant Director - [[Naomi Liddle]] |
| − | *[[Lighting Designer]] - [[ | + | *Stage Management - [[Tiffany Manning]] and [[Mark Ireson]] |
| − | *[[Lighting | + | *[[Lighting Designer]] - [[Bryon Fear]] |
| + | *Costume - [[Lisa Thomas]], [[Jenny Bennett]], [[Jess Osorio]] and [[Naomi Liddle]] | ||
| + | *Lighting Operators - [[Mark Ireson]] | ||
| + | *Musical Accompaniment - [[Helen Jones]] | ||
== Reviews == | == Reviews == | ||
| Line 32: | Line 54: | ||
== Gallery == | == Gallery == | ||
| − | + | Photos by [[Phil Gammon]] - click [http://www.photos.sltarchive.co.uk/loves-labours-lost/ here] to view | |
== Reminiscences and Anecdotes == | == Reminiscences and Anecdotes == | ||
| Line 49: | Line 71: | ||
*'''[http://www.someplace.com/thisplay This play on the web] | *'''[http://www.someplace.com/thisplay This play on the web] | ||
| + | |||
[[Category:Productions]] | [[Category:Productions]] | ||
[[Category:Main Hall Productions]] | [[Category:Main Hall Productions]] | ||
Latest revision as of 15:37, 4 June 2022
Directors - Siobhan Campbell & Dave Hollander
Performances: Tue 27th June – Sat 1st July 2017, Main Hall, Stanley Halls
- Matinee at 2pm on 1st July
Contents
Introduction
The play is set in London during World War II; sheltering from the Blitz above, in a makeshift air-raid shelter in the basement of the Stanley Grand Hotel, 1942.
Cast
- The Maitre D' - Owen Chidlaw
- Stage Manager - Louis Chapman
- Air Raid Warden - Jackie Burch
- King of Navarre - David Blatcher
- Berowne - Alastair Norgate
- Longaville - Mat Hill
- Dumaine - Chaz Doyle
- Princess of France - Deborah Dubosq
- Rosaline - Anna Rubincam
- Maria - Rachel Forster
- Katherine - Kelly-Kim Cranstoun
- Boyet - Bryon Fear
- Marcade / Constable Dull - Mike Smart
- Armado - Jenny McLaughlin
- Moth - Purmina Rai / Rora Hacker
- Holofernes - Alex Watts
- Nathaniel - Kim Goldsmith
- Costard - Tom Mathias
- Jaquenetta - David Clements
- Hiems / Member of the company - Jeremy Husain
- Ver - Bessie Rafferty / Rory Gibson
Crew
- Assistant Director - Naomi Liddle
- Stage Management - Tiffany Manning and Mark Ireson
- Lighting Designer - Bryon Fear
- Costume - Lisa Thomas, Jenny Bennett, Jess Osorio and Naomi Liddle
- Lighting Operators - Mark Ireson
- Musical Accompaniment - Helen Jones
Reviews
Some review quotes go here
Gallery
Photos by Phil Gammon - click here to view
Reminiscences and Anecdotes
Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.
See Also
Have there been other SLT productions of this play? Link to them here.
Or add anything that is related within this site. The author's page for instance or other plays with a similar theme.
