Difference between revisions of "Stones In His Pockets (2016)"

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[[Image:SIMPPoster.jpg|thumb|300px|Poster by [[Poster Designer]]]]
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[[Image:StonesInHisPockets.jpg|thumb|300px|Poster by [[Bryon Fear]]]]
  
by [[A Playwright]]
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by [[Marie Jones]]
  
 
[[Director|Directed]] by [[Anton Krause]]  
 
[[Director|Directed]] by [[Anton Krause]]  
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== Crew ==
 
== Crew ==
 
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* Assistant Director - [[Caroline Beckett]]
*[[Stage Manager]] - [[SM Name]]
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*[[Stage Manager]] - [[Jane Moorhead]]
*[[Lighting Designer]] - [[Designer Name]]
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*[[Lighting Designer]] - [[Bryon Fear]]
*[[Lighting Operator]] - [[Operator Name]]
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* Rigging - [[Siobhan Campbell]]
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* Sound & Lighting Operator - [[Sarah Farage]]
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* Irish Dance - [[Kait Feeney]]
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* Accent Coach - [[Caroline Doyle]]
  
 
== Reviews ==
 
== Reviews ==
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[[Category:Productions]]
 
[[Category:Productions]]
[[Category:Bell Theatre Productions]]
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[[Category:Upper Hall Productions]]

Latest revision as of 16:09, 4 June 2022

Poster by Bryon Fear

by Marie Jones

Directed by Anton Krause

Performances: Tue 5th – Sat 9th April 2016, Upper Hall, Stanley Halls


Introduction

Stones In His Pockets tells the hilarious and poignant story of an American historical blockbuster filming in rural Ireland, through the eyes of two of the locals employed as extras. Charlie Conlon and Jake Quinn, like most of the rest of the village, are delighted that the Hollywood gravy train has pulled up – bringing the likes of stars Caroline Giovanni and Kurt Steiner as well as a handsome daily pay packet. Charlie has written a film script and is keen that it gets into the hands of anyone who can help him get the green light. Jake has designs on the lovely Caroline herself and is delighted and bemused when she appears to return his interest – but does she have another agenda? As time goes on the glamour begins to wear thin; the locals begin to re-evaluate their relationship with their rich benefactors and Charlie and Jake decide that they have a new story to tell.

Cast


Crew

Reviews

Some review quotes go here


Gallery

Reminiscences and Anecdotes

Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.

See Also

Have there been other SLT productions of this play? Link to them here.

Or add anything that is related within this site. The author's page for instance or other plays with a similar theme.

References

External Links