Difference between revisions of "Entertaining Mr Sloane (2011)"
(→Gallery) |
|||
| (65 intermediate revisions by 2 users not shown) | |||
| Line 1: | Line 1: | ||
| − | [[Image:sloane.jpg|thumb|300px|Poster by [[ | + | [[Image:sloane.jpg|thumb|300px|Poster by [[Stevie Hughes]]]] |
by [[Joe Orton]] | by [[Joe Orton]] | ||
| − | Directed | + | Directed by [[Stevie Hughes]] |
| − | Performances: , [[Bell | + | Performances: 1st - 5th February [[2011]], [[Bell Theatre]] |
== Introduction == | == Introduction == | ||
| − | + | "Terence Rattigan (no friend of the ‘new wave’ theatre of the 50s and 60s) called <em>Entertaining Mr Sloane</em> "the best first play" he had seen "in thirty odd years" and to my mind, it’s Orton’s funniest: his targets in it are 'ordinary, decent people' rather than the trusted institutions of society (which are not so trusted nowadays) and instead of the verbal machine-gun fire you get in <em>Loot</em> and <em>What the Butler Saw,</em> Orton slowly fattens and ripens his prey before surgically picking them off, like a sniper, piece by piece, as the play reaches its hilarious climax." - <em><b>Stevie</b></em> | |
==Plot summary== | ==Plot summary== | ||
| − | + | Middle-aged Kath has amorous designs on her new, young lodger but Ed, her domineering brother, will have none of it until he too succumbs to the charms of the mysterious Mr Sloane. As they compete for the boy’s affections, their lust soon rips open old family wounds as Sloane blithely plays off brother against sister. That is, until their ageing father (the "Dadda") recognises Sloane as the still-at-large perpetrator of a past, violent crime. Threatened with exposure, Sloane takes drastic measures that crank up the absurdity to hysterical levels. | |
| − | + | ||
| − | + | ||
| + | == Cast == | ||
*Kath - [[Lorraine Spenceley]] | *Kath - [[Lorraine Spenceley]] | ||
| Line 26: | Line 25: | ||
*Stage Manager - [[Kay George]] | *Stage Manager - [[Kay George]] | ||
| − | *ASMs - [[Clodagh Reynolds]], [[Alice Harvey | + | *ASMs - [[Clodagh Reynolds]], [[Alice Harvey Lowe]] |
*Light & Sound Op - [[Rebecca Williams]] | *Light & Sound Op - [[Rebecca Williams]] | ||
| + | *BSL Interpreter - [[Paul Michaels]] | ||
== Design == | == Design == | ||
| Line 34: | Line 34: | ||
*Sound - [[Stevie Hughes]] | *Sound - [[Stevie Hughes]] | ||
*Lighting - [[Mark Davies]] | *Lighting - [[Mark Davies]] | ||
| − | *Software Consultant - Gavin Parker | + | *Software Consultant - [[Gavin Parker]] |
| − | *Props - [[Kay George]] | + | *Props - [[Kay George]], [[Clodagh Reynolds]], [[Alan Buckman]], [[Stevie Hughes]] |
*Set - [[Stevie Hughes]], [[Graham Clements]] | *Set - [[Stevie Hughes]], [[Graham Clements]] | ||
| + | *Construction - [[Graham Clements]], [[Mark Ireson]], [[Erik Smith]], [[Kay George]], [[Joanna Hopkins]], [[Clodagh Reynolds]], [[Alice Harvey Lowe]] | ||
| + | *Painting - [[Hazel Hindle]], [[Michael Wilson]] | ||
| + | *Wardrobe - [[Lisa Thomas]] | ||
*Publicity - [[Stevie Hughes]] | *Publicity - [[Stevie Hughes]] | ||
| − | * | + | *Photography - [[Mark Davies]] |
| + | *Transport - [[Hazel Hindle]] | ||
*Theatre Rep - [[Lisa Thomas]] | *Theatre Rep - [[Lisa Thomas]] | ||
| + | |||
| + | == Special Thanks == | ||
| + | *A HUGE, HUGE thank you to [[Chris Briggs]] and all the folks at Emmaus for the loan of the settee and furniture. | ||
| + | *To [[Mark Davies]], [[Gavin Parker]] and [[Lisa Thomas]] for stepping in at such short notice; | ||
| + | *'Radio Days' of Lower Marsh, Waterloo for the hire of Ed's suit; | ||
| + | *To the Front-Of-House, Membership and Bar staff… | ||
| + | *… and to all those wonderful people at SLT who keep this miracle of a cultural oasis alive! | ||
== Reviews == | == Reviews == | ||
| + | [http://www.sardinesmagazine.co.uk/reviews/review.php?reviewsID=121 '''‘SARDINES’''' Magazine | ''Paul Campion'' ] | ||
| + | |||
| + | [http://edition.pagesuite-professional.co.uk/launch.aspx?referral=other&pnum=&refresh=X0y71s6H20Mn&EID=642d63ee-03f7-4a8d-93fc-6e5491d0ce73&skip=true '''‘BROMLEY TIMES’''' (p.21) | 10 Feb 2011 | ''Mark Campbell'' ] | ||
== Gallery == | == Gallery == | ||
| − | + | <gallery caption= "Photos by[[Mark Davies]]" widths="300px" heights="300px" perrow="4"> | |
| − | + | Image:Kath_sloane2.jpg|<p><em>[[Ted Riley]] ('Sloane') & [[Lorraine Spenceley]] ('Kath')</em></p> | |
| + | Image:dadda_toasts.jpg|<p><em>[[Pat Brown]] ('Dadda')</em></p> | ||
| + | Image:sloane_twists_daddas_ear.jpg|<p><em>[[Ted Riley]] ('Sloane') & [[Pat Brown]] ('Dadda')</em></p> | ||
| + | Image:eddie.jpg|<p><em>[[Tim Witcomb]] ('Ed')</em></p> | ||
| + | Image:kath_w_teeth.jpg|<p><em>[[Lorraine Spenceley]] ('Kath')</em></p> | ||
| + | </gallery> | ||
== Reminiscences and Anecdotes == | == Reminiscences and Anecdotes == | ||
Latest revision as of 13:08, 14 January 2021
by Joe Orton
Directed by Stevie Hughes
Performances: 1st - 5th February 2011, Bell Theatre
Contents
Introduction
"Terence Rattigan (no friend of the ‘new wave’ theatre of the 50s and 60s) called Entertaining Mr Sloane "the best first play" he had seen "in thirty odd years" and to my mind, it’s Orton’s funniest: his targets in it are 'ordinary, decent people' rather than the trusted institutions of society (which are not so trusted nowadays) and instead of the verbal machine-gun fire you get in Loot and What the Butler Saw, Orton slowly fattens and ripens his prey before surgically picking them off, like a sniper, piece by piece, as the play reaches its hilarious climax." - Stevie
Plot summary
Middle-aged Kath has amorous designs on her new, young lodger but Ed, her domineering brother, will have none of it until he too succumbs to the charms of the mysterious Mr Sloane. As they compete for the boy’s affections, their lust soon rips open old family wounds as Sloane blithely plays off brother against sister. That is, until their ageing father (the "Dadda") recognises Sloane as the still-at-large perpetrator of a past, violent crime. Threatened with exposure, Sloane takes drastic measures that crank up the absurdity to hysterical levels.
Cast
- Kath - Lorraine Spenceley
- Sloane - Ted Riley
- Dadda (Kemp) - Pat Brown
- Ed - Tim Witcomb
Crew
- Stage Manager - Kay George
- ASMs - Clodagh Reynolds, Alice Harvey Lowe
- Light & Sound Op - Rebecca Williams
- BSL Interpreter - Paul Michaels
Design
- Director's Assistant - Rebecca Williams
- Sound - Stevie Hughes
- Lighting - Mark Davies
- Software Consultant - Gavin Parker
- Props - Kay George, Clodagh Reynolds, Alan Buckman, Stevie Hughes
- Set - Stevie Hughes, Graham Clements
- Construction - Graham Clements, Mark Ireson, Erik Smith, Kay George, Joanna Hopkins, Clodagh Reynolds, Alice Harvey Lowe
- Painting - Hazel Hindle, Michael Wilson
- Wardrobe - Lisa Thomas
- Publicity - Stevie Hughes
- Photography - Mark Davies
- Transport - Hazel Hindle
- Theatre Rep - Lisa Thomas
Special Thanks
- A HUGE, HUGE thank you to Chris Briggs and all the folks at Emmaus for the loan of the settee and furniture.
- To Mark Davies, Gavin Parker and Lisa Thomas for stepping in at such short notice;
- 'Radio Days' of Lower Marsh, Waterloo for the hire of Ed's suit;
- To the Front-Of-House, Membership and Bar staff…
- … and to all those wonderful people at SLT who keep this miracle of a cultural oasis alive!
Reviews
‘SARDINES’ Magazine | Paul Campion
‘BROMLEY TIMES’ (p.21) | 10 Feb 2011 | Mark Campbell
Gallery
- Photos byMark Davies
Ted Riley ('Sloane') & Lorraine Spenceley ('Kath')
Pat Brown ('Dadda')
Tim Witcomb ('Ed')
Lorraine Spenceley ('Kath')
Reminiscences and Anecdotes
Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.
See Also
References
<references/>
External Links
- This play on the wikipedia (SPOILER)
