Difference between revisions of "Rain (1973)"

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(New page: Poster by [[Poster Designer]] by A Playwright Directed by Director's Name Performances: 1973, Prompt Corner == Introduction ...)
 
(Gallery)
 
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[[Image:myproductionposter.jpg|thumb|300px|Poster by [[Poster Designer]]]]
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[[Image:CHANGETHISNAME.jpg|thumb|300px|Poster by [[Poster Designer]]]]
  
by [[A Playwright]]
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by [[John Colton]] & [[Clemence Randolph]] from the short story by [[W. Somerset Maugham]]
  
Directed by [[Director's Name]]  
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Produced & Designed by [[Jill Clark]]  
  
Performances: [[1973]], Prompt Corner
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Performances: May [[1973]], [[Bell Theatre]]
  
  
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== Cast ==
 
== Cast ==
  
 
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*Mrs Davidson - [[Pam Lyne]]
*[[Character 1]] - [[Actor 1]]
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*Mrs MacPhail - [[Jean Warboyes]]
*[[Character 2]] - [[Actor 2]]
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*Dr MacPhail - [[Tom Swann]]
*[[Character 3]] - [[Actor 3]]
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*Joe Horn, Trader of Pago Pago - [[Arthur Skinner]]
 
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*Sergeant O'Hara - [[Bernard Bullbrook]]
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*Corporal Griggs - [[Richard Ebbs]]
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*Sadie Thompson - [[Amaryllis Adams]]
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*Quartermaster Bates of the 'Orduna' - [[Edwin Stone]]
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*Reverend Davidson - [[Colm O'Neill]]
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*Islanders - [[Wendy Issatt]] & [[Robin Saxon]]
  
 
== Crew ==
 
== Crew ==
  
*Stage Manager - SM Name
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*Stage Manager - [[Leslie Morris]]
*Lighting Design - Designer Name
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*Assistant Stage Managers - [[Jackie Smith]], [[Dianne Hawksworth]] & [[Howard James]]
*Lighting Operator - Operator Name
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*Production Assistant - [[Deirdre Shaw]]
 +
*Lighting - [[Colin Stokes]]
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*Assisted by [[Tony Rapson]]
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*Sound - [[Adrian Towler]]
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*Set Builder - [[Ray Seaton]]
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*Assisted by [[Bernard Bullbrook]] & [[Eddie Clark]]
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*F.O.H/Box Office - [[Frank Howcutt]]
  
 
== Reviews ==
 
== Reviews ==
  
Some review quotes go here
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"Performing in the Rain"
  
 +
Maugham's Miss Sadie Thompson has become a byword for acting of the grand Hollywood school. The sluttish carouser who, marooned on a South Sea island in the rainy season, falls foul of a fanatical missionary, proved a natural for successive stars of the silver screen.
 +
 +
The adaptation for the stage, by John Cotton and Clemence Randolph, is aptly entitled "Rain", and in spite of its old-fashioned methods it packs some effective theatrical punches. Rain is indeed the metaphor for the claustrophobic entombment of the characters: drenching, torrential rain that seeps into the soul and stupefies the senses.
 +
 +
The play is about what Dr MacPhail calls "the moment of ultimate pressure". It is the moment which finally cracks the rigid facade of the Rev Davidson, who wrestles for Sadie's soul, and commits suicide after succumbing to the desires of the flesh.
 +
 +
Jill Clark's production for the SLTC uses a grandly seedy set, and is soaked in splendid sound effects. Moreover, it includes one of the most bravura performances seen at the centre.
 +
 +
I refer to Amaryllis Adams' interpretation of Sadie, a piece of audacious theatricality that transcends the tawdry plot, passing from brazen tart to vulnerable and frightened girl to the zombie stare of the converted, with a swift reversion to type for the final curtain.
 +
 +
Here we see art rising triumphant over mere tricks. But the occasion of such a transformation, the Rev. Davidson, must be seen to be entirely plausible, Colm O'Neill plays the role with strength and some passion, but somehow I feel he lacks the evangelistic horse-power to convince us entirely of his domination.
 +
 +
There are some sluggish patches in the production, and a sense of punches being pulled in purple places. Pam Lyne is a little too quiet and complacent as the tight-lipped Mrs Davidson, and Tom Swann could urge the doctor's humanist case with more fire, though his patent decency carries its own quiet charge.
 +
 +
The cheerful hedonism of the men is given good value, especially by Bernard Bullbrook (Sgt O'Hara), while Arthur Skinner is a believable figure as the battered trader Joe Horn. There is a nicely judged birdlike quality about Jean Warboyes as the doctor's wife, and Edwin Stone is impressive as Quartermaster Bates.
 +
 +
On the whole, this is a production much to be recommended. It is workmanlike from start to finish, and Miss Adams confers much distinction on it.
 +
 +
Donald Madgwick, The Croydon Advertiser.
  
 
== Gallery ==
 
== Gallery ==
 +
<gallery caption="Photos by [[Bim Harding]]" widths="300px" heights="300px" perrow="5">
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 +
Image:Rain001.jpg
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Image:Rain002.jpg
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Image:Rain003.jpg|Amaryllys Adams & Colm O'Neill
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Image:Rain004.jpg|Amaryllys Adams & Colm O'Neill
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Image:Rain006.jpg
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Image:Rain007.jpg
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Image:Rain008.jpg
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Image:Rain009.jpg
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Image:Rain012.jpg
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Image:Rain011.jpg|Set Model
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Image:rain1973.jpg|Bernie Bullbrook 2nd from left next to Amaryllys Adams.  Richard Ebbs far right.
  
[[Image:rain1973.jpg|thumb|300px|South London Theatre]]
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</gallery>
  
 
== Reminiscences and Anecdotes ==
 
== Reminiscences and Anecdotes ==
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== See Also ==
 
== See Also ==
Have there been other SLT productions of this play?  Link to them here.
+
Have there been other SLTC/SLT productions of this play?  Link to them here.
  
 
Or add anything that is related ''within this site''.  The author's page for instance or other plays with a similar theme.
 
Or add anything that is related ''within this site''.  The author's page for instance or other plays with a similar theme.
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== External Links ==
 
== External Links ==
  
*[http://www.someplace.com/thisplay This play on the web]
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[[Category:Productions]]
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[[Category:Bell Theatre Productions]]
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[[Category:Reviewed by the media]]

Latest revision as of 16:35, 19 July 2019

Poster by Poster Designer

by John Colton & Clemence Randolph from the short story by W. Somerset Maugham

Produced & Designed by Jill Clark

Performances: May 1973, Bell Theatre


Introduction

Text about the play

Cast

Crew

Reviews

"Performing in the Rain"

Maugham's Miss Sadie Thompson has become a byword for acting of the grand Hollywood school. The sluttish carouser who, marooned on a South Sea island in the rainy season, falls foul of a fanatical missionary, proved a natural for successive stars of the silver screen.

The adaptation for the stage, by John Cotton and Clemence Randolph, is aptly entitled "Rain", and in spite of its old-fashioned methods it packs some effective theatrical punches. Rain is indeed the metaphor for the claustrophobic entombment of the characters: drenching, torrential rain that seeps into the soul and stupefies the senses.

The play is about what Dr MacPhail calls "the moment of ultimate pressure". It is the moment which finally cracks the rigid facade of the Rev Davidson, who wrestles for Sadie's soul, and commits suicide after succumbing to the desires of the flesh.

Jill Clark's production for the SLTC uses a grandly seedy set, and is soaked in splendid sound effects. Moreover, it includes one of the most bravura performances seen at the centre.

I refer to Amaryllis Adams' interpretation of Sadie, a piece of audacious theatricality that transcends the tawdry plot, passing from brazen tart to vulnerable and frightened girl to the zombie stare of the converted, with a swift reversion to type for the final curtain.

Here we see art rising triumphant over mere tricks. But the occasion of such a transformation, the Rev. Davidson, must be seen to be entirely plausible, Colm O'Neill plays the role with strength and some passion, but somehow I feel he lacks the evangelistic horse-power to convince us entirely of his domination.

There are some sluggish patches in the production, and a sense of punches being pulled in purple places. Pam Lyne is a little too quiet and complacent as the tight-lipped Mrs Davidson, and Tom Swann could urge the doctor's humanist case with more fire, though his patent decency carries its own quiet charge.

The cheerful hedonism of the men is given good value, especially by Bernard Bullbrook (Sgt O'Hara), while Arthur Skinner is a believable figure as the battered trader Joe Horn. There is a nicely judged birdlike quality about Jean Warboyes as the doctor's wife, and Edwin Stone is impressive as Quartermaster Bates.

On the whole, this is a production much to be recommended. It is workmanlike from start to finish, and Miss Adams confers much distinction on it.

Donald Madgwick, The Croydon Advertiser.

Gallery

Reminiscences and Anecdotes

Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.

See Also

Have there been other SLTC/SLT productions of this play? Link to them here.

Or add anything that is related within this site. The author's page for instance or other plays with a similar theme.

References

External Links