Difference between revisions of "My Three Angels (1972)"
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Most amateur companies get round to "My Three Angels" sooner or later. This week it is the turn of the South London Theatre Centre. | Most amateur companies get round to "My Three Angels" sooner or later. This week it is the turn of the South London Theatre Centre. | ||
| − | The approach of Christmas gives that play that little extra relevance. With the cash registers tinkling like demented sleigh-bells, there is a certain irony in watching a play whose angels of Christmas are an embezzler and two murderers, while its villains are a respectable business man and his correct nephew. And those who object | + | The approach of Christmas gives that play that little extra relevance. With the cash registers tinkling like demented sleigh-bells, there is a certain irony in watching a play whose angels of Christmas are an embezzler and two murderers, while its villains are a respectable business man and his correct nephew. And those who object to its moral values can always take comfort from the play's French origins. |
== Gallery == | == Gallery == | ||
Revision as of 12:02, 11 September 2008
by Sam Spewack & Bella Spewack
Directed by Alex Kanarek & Frances Nelson
Performances: 9th & 11th - 16th December 1972, Theatre
Contents
Introduction
Text about the play
Cast
- Emilie Dulay - Katherine Phillips
- Felix Dulay - Robert Skinner
- Madame Parole - Valerie Westbey
- Marie-Louise Dulay - Deirdre Shaw
- Alfred (4797) - Geoffrey Kenton
- Jules (6817) - Alex Kanarek
- Joseph (3011) - Edwin Stone
- Gaston Lemare - John Anderson
- Paul (Gaston's Nephew) - Malcolm Woodman
- Sb-Lt Espoir - Jonathan Taylor
Crew
- Stage Manager - Brian Field
- Assistant Stage Managers - Christine Crow, Brenda Johnson & Frances Nelson
- Lighting - Tony Rapson
- Sound - Gordon Scott
- Wardrobe - Valerie Westbey
- Set Construction - members of the Company
- Photographs - Bim Harding
Reviews
"Make a Killing at Christmas"
Most amateur companies get round to "My Three Angels" sooner or later. This week it is the turn of the South London Theatre Centre.
The approach of Christmas gives that play that little extra relevance. With the cash registers tinkling like demented sleigh-bells, there is a certain irony in watching a play whose angels of Christmas are an embezzler and two murderers, while its villains are a respectable business man and his correct nephew. And those who object to its moral values can always take comfort from the play's French origins.
Gallery
Reminiscences and Anecdotes
Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.
See Also
Have there been other SLTC/SLT productions of this play? Link to them here.
Or add anything that is related within this site. The author's page for instance or other plays with a similar theme.
References
<references/>
