Difference between revisions of "Much Ado About Nothing (1971)"
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*Margaret, attendant on Hero - [[Anna Greenburg]] | *Margaret, attendant on Hero - [[Anna Greenburg]] | ||
*Ursula, attendant on Hero - [[Jean Fisher]] | *Ursula, attendant on Hero - [[Jean Fisher]] | ||
| + | *Don Pedro, Price of Arragon - [[Robert Fish]] | ||
| + | *Don John, Don Pedro's bastard brother - [[Terry Barden]] | ||
| + | *Claudio, of Florence, young lord, companion of Don Pedro - [[Brian Scoltock]] | ||
| + | *Benedick, of Padua, young lord, companion of Don Pedro - [[John Anderson]] | ||
| + | *Conrade, follower of Don John - [[Ray Sargent]] | ||
| + | *Borachio, follower of Don John - [[Peter Davies]] | ||
== Crew == | == Crew == | ||
Revision as of 11:40, 3 January 2008
Designed & Directed by Leslie Lidyard
Performances: Tue 2nd – Sat 8th May 1971, Theatre
Contents
Introduction
Text about the play
Cast
- Leonarto, Governor of Messina - Victor Shaw
- Antonio, his brother - Tom Swann
- Beatrice, an orphan, Leonarto's niece - Ruth Shettle
- A Messenger - Malcolm Woodman
- Hero, Leonarto's daughter - Janice Grady
- Margaret, attendant on Hero - Anna Greenburg
- Ursula, attendant on Hero - Jean Fisher
- Don Pedro, Price of Arragon - Robert Fish
- Don John, Don Pedro's bastard brother - Terry Barden
- Claudio, of Florence, young lord, companion of Don Pedro - Brian Scoltock
- Benedick, of Padua, young lord, companion of Don Pedro - John Anderson
- Conrade, follower of Don John - Ray Sargent
- Borachio, follower of Don John - Peter Davies
Crew
- Stage Manager - Ray Seaton
- Assisted by - Margery Keable, David Lewis, David Nash, Sheila Pasco, Marjorie Stead
- Lighting - Alex Kanarek, Lynton Murgatroyd, Clarence Llewellyn Smith
- Sound - Sheila Harris
- Set Construction - Ray Seaton
- Costumes - Margaret Leach, Clive McGill
- Assistant to the Director - Eileen Pasco
- Company Manager - John Harris
- F.O.H. Manager - Frank Howcutt
- Box Office Manager - Tony Westhead
Reviews
Some review quotes go here
Gallery
Reminiscences and Anecdotes
Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.
See Also
References
<references/>
