Difference between revisions of "Fings ain't Wot They Used t'Be (1986)"
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== Introduction == | == Introduction == | ||
| − | Fred runs a failing gambling joint in a seedy Soho | + | Fred runs a failing gambling joint in a seedy Soho side street and harbours dreams of making a comeback to the halcyon days when he was "razor king of the manor". |
Lil has retired from the oldest profession in the world and dreams of marrying Fred while she sweeps the floors around the feet of the tarts, ponces and layabouts who are Fred's only customers. | Lil has retired from the oldest profession in the world and dreams of marrying Fred while she sweeps the floors around the feet of the tarts, ponces and layabouts who are Fred's only customers. | ||
| − | + | Sergeant Collins is the "friendly" local policeman who controls the "patch" and incidentally absorbs any profit that Fred might otherwise make. The sergeant's dream is to own a place like Fred's and be the one that pays and not just the one who 'cops' the bribes. | |
| − | Paddy, the jovial tea-man; | + | Paddy, the jovial tea-man; Tosher, the ponce: Betty and Rosey, Tosher's blousy tarts; Redhot, the old lag, and Norman, the leader of the local Teddy boys, are among the other dreamers who have made Fred's gaff their home. |
| − | When a horse does Fred a good turn all these dreams look like coming true and Horace, the designer, is on hand with plenty of gay ideas to put some of them into | + | When a horse does Fred a good turn all these dreams look like coming true and Horace, the designer, is on hand with plenty of gay ideas to put some of them into immediate effect. But gang boss, Meatface Heiman, stands in Fred's path and the only way back to the top is through a 'carve-up' with Meatface and his mob. Very nasty! |
| − | But "Fings Aint Wot They Used T'be" is above | + | But "Fings Aint Wot They Used T'be" is above everything else an entertainment with lots of laughs and songs for everyone. It's a theatrical knees-up for all the family - a chance to forget your troubles and join in the fun. |
Mike Mattey | Mike Mattey | ||
| − | This | + | This production was sponsored by Midland Bank. |
== Cast == | == Cast == | ||
| Line 32: | Line 32: | ||
*Lily Smith - [[Sally Maclean]] | *Lily Smith - [[Sally Maclean]] | ||
*Paddy - [[John Hartnett]] | *Paddy - [[John Hartnett]] | ||
| − | * | + | *Sergeant Collins - [[Terry Barden]] |
*Betty - [[Ann Richards]] | *Betty - [[Ann Richards]] | ||
*Rosey - [[Sally Lill]] | *Rosey - [[Sally Lill]] | ||
| Line 38: | Line 38: | ||
*Redhot - [[Dennis Packham]] | *Redhot - [[Dennis Packham]] | ||
*Horace - [[Alan Buckman]] | *Horace - [[Alan Buckman]] | ||
| − | * | + | *Policemen - [[Simon Vaal]] & [[Paul Hummerston]] |
*Norman - [[Godfrey Jansen]] | *Norman - [[Godfrey Jansen]] | ||
*Busker - [[Sue Thompson]] | *Busker - [[Sue Thompson]] | ||
| − | *Gamblers - [[Juliet Male]] & [[Bill | + | *Gamblers - [[Juliet Male]] & [[Bill Pavely]] |
*Percy - [[Alan Buckman]] | *Percy - [[Alan Buckman]] | ||
*Myrtle - [[Sue Thompson]] | *Myrtle - [[Sue Thompson]] | ||
| Line 57: | Line 57: | ||
*Lighting - [[Brian Fretwell]] | *Lighting - [[Brian Fretwell]] | ||
*Choreography - [[Malcolm Flint]] | *Choreography - [[Malcolm Flint]] | ||
| − | *Set | + | *Set Construction - [[Canice McAuliffe]] with [[David Lamkin]], [[Dick Lilley]] & [[Robin Lill]] |
*Wardrobe - [[Ann Mattey]] | *Wardrobe - [[Ann Mattey]] | ||
| Line 66: | Line 66: | ||
== Gallery == | == Gallery == | ||
| + | <gallery caption="Photos by [[Brian Fretwell]]" widths="300px" heights="300px" perrow="5"> | ||
| − | + | Image:Fings001.jpg|Paul Hummerston, Simon Vaal, Terry Barden & Sue Thompson | |
| + | Image:Fings002.jpg|Matthew Lyne, John Lyne, Ann Richards, Sally MacLean, Sally Lill | ||
| + | Image:Fings003.jpg|Billy Pavely at the Piano | ||
| + | Image:Fings004.jpg|Dennis Packham at the table, John Hartnett behind the counter | ||
| + | Image:Fings005.jpg|Ann Richards, Alan Buckman & Sally Lill | ||
| + | Image:Fings006.jpg|Juliet Male | ||
| + | Image:Fings007.jpg|Dave Groves & Jeanette Hoile | ||
| + | Image:Fings008.jpg| | ||
| + | Image:Fings009.jpg| | ||
| + | Image:Fings010.jpg|Gillian Holmes | ||
| + | Image:FingAintWotTheyUsedTBe033.jpg | ||
| + | Image:Fings011.jpg|Godfrey Jansen by the door | ||
| + | Image:Fings012.jpg| | ||
| + | </gallery> | ||
== Reminiscences and Anecdotes == | == Reminiscences and Anecdotes == | ||
| − | + | The second night looked quite different to the first in places. I added an extra 4 1,000 watt lights geled to bright colours for the musical numbers after seeing the first full performance. Brian Fretwell. | |
== See Also == | == See Also == | ||
| Line 87: | Line 101: | ||
[[Category:Productions]] | [[Category:Productions]] | ||
[[Category:Bell Theatre Productions]] | [[Category:Bell Theatre Productions]] | ||
| + | [[Category:Gala Productions]] | ||
| + | [[Category:Musical Theatre and Revue]] | ||
Latest revision as of 12:43, 22 September 2017
by Frank Norman & Lionel Bart
Directed by Mike Mattey
Performances: Sat 4th – Sat 11th October (Gala Night Tues 7th) 1986, Bell Theatre
Contents
Introduction
Fred runs a failing gambling joint in a seedy Soho side street and harbours dreams of making a comeback to the halcyon days when he was "razor king of the manor".
Lil has retired from the oldest profession in the world and dreams of marrying Fred while she sweeps the floors around the feet of the tarts, ponces and layabouts who are Fred's only customers.
Sergeant Collins is the "friendly" local policeman who controls the "patch" and incidentally absorbs any profit that Fred might otherwise make. The sergeant's dream is to own a place like Fred's and be the one that pays and not just the one who 'cops' the bribes.
Paddy, the jovial tea-man; Tosher, the ponce: Betty and Rosey, Tosher's blousy tarts; Redhot, the old lag, and Norman, the leader of the local Teddy boys, are among the other dreamers who have made Fred's gaff their home.
When a horse does Fred a good turn all these dreams look like coming true and Horace, the designer, is on hand with plenty of gay ideas to put some of them into immediate effect. But gang boss, Meatface Heiman, stands in Fred's path and the only way back to the top is through a 'carve-up' with Meatface and his mob. Very nasty!
But "Fings Aint Wot They Used T'be" is above everything else an entertainment with lots of laughs and songs for everyone. It's a theatrical knees-up for all the family - a chance to forget your troubles and join in the fun.
Mike Mattey
This production was sponsored by Midland Bank.
Cast
- Frederick Cochran - John Lyne
- Lily Smith - Sally Maclean
- Paddy - John Hartnett
- Sergeant Collins - Terry Barden
- Betty - Ann Richards
- Rosey - Sally Lill
- Tosher - Matthew Lyne
- Redhot - Dennis Packham
- Horace - Alan Buckman
- Policemen - Simon Vaal & Paul Hummerston
- Norman - Godfrey Jansen
- Busker - Sue Thompson
- Gamblers - Juliet Male & Bill Pavely
- Percy - Alan Buckman
- Myrtle - Sue Thompson
- Priest - Simon Vaal
- Teddy Boys & Girls - Jeanette Hoile, Gillian Holmes & David Groves
- Newsboy - Sue Thompson
- George - John Salmins
Crew
- Designed by - Alan Buckman
- Musical Director - Bill Pavely
- Stage Manager - June McAuliffe
- Assistant Stage Managers - Carol Saunders, Robin Lill, John Kidd & John Salmins
- Lighting - Brian Fretwell
- Choreography - Malcolm Flint
- Set Construction - Canice McAuliffe with David Lamkin, Dick Lilley & Robin Lill
- Wardrobe - Ann Mattey
Reviews
Some review quotes go here
Gallery
- Photos by Brian Fretwell
Paul Hummerston, Simon Vaal, Terry Barden & Sue Thompson
Matthew Lyne, John Lyne, Ann Richards, Sally MacLean, Sally Lill
Billy Pavely at the Piano
Dennis Packham at the table, John Hartnett behind the counter
Ann Richards, Alan Buckman & Sally Lill
Juliet Male
Dave Groves & Jeanette Hoile
Gillian Holmes
Godfrey Jansen by the door
Reminiscences and Anecdotes
The second night looked quite different to the first in places. I added an extra 4 1,000 watt lights geled to bright colours for the musical numbers after seeing the first full performance. Brian Fretwell.
See Also
Have there been other SLTC/SLT productions of this play? Link to them here.
Or add anything that is related within this site. The author's page for instance or other plays with a similar theme.
References
<references/>
