Difference between revisions of "Rain (1973)"

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== Cast ==
 
== Cast ==
  
 
+
*Mrs Davidson - [[Pam Lyne]]
*[[Character 1]] - [[Bernard Bullbrook]]
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*Mrs MacPhail - [[Jean Warboyes]]
*[[Character 2]] - [[Midge Adams]]
+
*Dr MacPhail - [[Tom Swann]]
*[[Character 3]] - [[Colm O'Neil]]
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*Joe Horn, Trader of Pago Pago - [[Arthur Skinner]]
 +
*Sergeant O'Oara - [[Bernard Bullbrook]]
 +
*Corporal Griggs - [[Richard Ebbs]]
 +
*Sadie Thompson - [[Midge Adams]]
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*Quartermaster Bates of the 'Orduna' - [[Edwin Stone]]
 +
*Reverend Davidson - [[Colm O'Neil]]
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*Islanders - [[Wendy Issatt]] & [[Robin Saxon]]
  
 
== Crew ==
 
== Crew ==

Revision as of 10:40, 8 October 2008

Poster by Poster Designer

by John Colton & Clemence Randolph

Directed by Jill Clarke

Performances: May 1973, Bell Theatre


Introduction

Text about the play

Cast

Crew

  • Stage Manager - SM Name
  • Lighting Design - Designer Name
  • Lighting Operator - Operator Name

Reviews

"Performing in the Rain"

Maugham's Miss Sadie Thompson has become a byword for acting of the grand Hollywood school. The sluttish carouser who, marooned on a South Sea island in the rainy season, falls foul of a fanatical missionary, proved a natural for successive stars of the silver screen.

The adaptation for the stage, by John Cotton and Clemence Randolph, is aptly entitled "Rain", and in spite of its old-fashioned methods it packs some effective theatrical punches. Rain is indeed the metaphor for the claustrophobic entombment of the characters: drenching, torrential rain that seeps into the soul and stupefies the senses.

The play is about what Dr MacPhail calls "the moment of ultimate pressure". It is the moment which finally cracks the rigid facade of the Rev Davidson, who wrestles for Sadie's soul, and commits suicide after succumbing to the desires of the flesh.

Jill Clark's production for the SLTC uses a grandly seedy set, and is soaked in splendid sound effects. Moreover, it includes one of the most bravura performances seen at the centre.

I refer to Amaryllis Adams' interpretation of Sadie, a piece of audacious theatricality that transcends the tawdry plot, passing from brazen tart to vulnerable and frightened girl to the zombie stare of the converted, with a swift reversion to type for the final curtain.

Gallery

Reminiscences and Anecdotes

Members are encouraged to write about their experiences of working on or seeing this production. Please leave your name. Anonymous entries may be deleted.

See Also

Have there been other SLT productions of this play? Link to them here.

Or add anything that is related within this site. The author's page for instance or other plays with a similar theme.

References

External Links